I am an engineer of the soul, an artist of my life.
My paintings are not just images, but testimonies of overcoming. In every stroke of paint, I fight for my freedom from the shackles of self-doubt. My art is a response to the darkness of the past, a dream transformed into strokes of colour. It is freedom of expression, healing through creativity and transforming pain into a source of inspiration. This is how I create not only works of art, but also a philosophy of rethinking existence and society. I don't bend to the system, I transform it.
My audience are the people who recognise themselves in my canvases, when your hands are down and it seems that you are unable to do anything, or your feelings are so overwhelming that your emotions come out and cannot be contained.
My canvas is a battlefield for the right to be myself.
It's a window into another reality. Often we get clues from there. We feel it. But we can't look in. Contact with my soul allows me to go there for images that uniquely intertwine engineering precision with the exhilarating freedom of artistic expression, creating a harmony between the two.
Blind Paintings is the writing of an image that emerges from the moment and emotion. Different techniques, mediums and artistic handwriting emphasise my contradictory nature and going beyond the norms of expected recognisability.
I not only see the beauty in my surroundings, I rise above the ordinary by creating my own world.
Natalya Radünz (b. 1980, Ukraine) is a metamodern artist and icon painter based in Germany. Active since 2012, she studied Contemporary Art at the Sotheby’s Institute of Art in London and holds degrees in engineering, an MBA, and a Harvard certification in strategy. Her practice merges traditional and modern techniques, exploring themes of transformation, spirituality, and cultural transition.
Influenced by Orthodox symbolism and philosophical concepts, Radünz works in oil, tempera, and mixed media. Her current series, Before the First Light and The Echoes of Infinity, investigate resonance as a space of truth beyond opposites.
Her works have been shown internationally - including museums in Italy, France, Germany, Greece, Serbia, Russia, UK, USA - and are held in private collections across Europe. She has received over a dozen awards in painting and iconography.
SOLO EXHIBITIONS
2025 – “Art meets Antique” by Detlev Kuemmel, Luedenscheid, Germany
2025 – ARTe Art Fair, Dortmund, Germany
2024 – ART4NATURE Atelier-Galerie, Bad Tölz, Germany
SELECTED GROUP EXHIBITIONS
2025 – Women in Art Biennale, London, UK
2025 – IKV International Artists' Association e.V., Germany
2025 – Venanzo Crocetti Museum, Curator: Monica Ferrarini, Rome, Italy
2025 – Mons. Sante Montanaro Foundation, Casamassima, Italy
2025 – Artio Gallery, New York, USA
2025 – Museum Palazzo Venezia, Naples, Italy
2024 – Museum of Srem, Sremska Mitrovica, Republic of Serbia
2019 – The Moscow Academic Lyceum of Fine Arts at the Russian Academy of Arts (MAHL RAKH), Moscow, Russia
2019 – MYRÒ Antiques Hous, Thessaloniki, Greece
2019 – Carrousel du Louvre Art Shopping Expo, Paris, France
2018 – The Max Ernst Museum Brühl des LVR, Bruehl, Germany
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