Artists directory

Sophie

Mills Blackburn

Sophie Blackburn (b.2003) is an artist, maker and writer based in Glasgow/Liverpool. Their artwork is disseminated through image and text-based media, publication, woodwork and sound and installation; making instruments and effects cabinets that introduce analogue kinetics and digital electronics housed inside carved wooden exteriors. Their installation work merges curatorial strategies, critical theory and historical observation with sensory and interactive elements to recontextualise public and private histories found in literature and archives and explore alternative participatory forms of engagement with manuscripts and literary collections, covering subjects and themes such ritual kinesics, subcultural histories and groups, poetics and folklore. Sophie Blackburn has completed writing and research for artworks and essays exploring areas of history, culture and literature from extra-parlimentary groups in sixties Germany, Absurdist theatre in Europe, European and American convents, the history and medieval folklore of pigs and agriculture, to producing extended revisited publications that recollect dispersed archives.

Disciplines: Installation

Location: Glasgow

Materials: Woodwork
Sophie Blackburn (b.2003) is an artist, maker and writer based in Glasgow/Liverpool. Their artwork is disseminated through image and text-based media, publication, woodwork and sound and installation; making instruments and effects cabinets that introduce analogue kinetics and digital electronics housed inside carved wooden exteriors. Their installation work merges curatorial strategies, critical theory and historical observation with sensory and interactive elements to recontextualise public and private histories found in literature and archives and explore alternative participatory forms of engagement with manuscripts and literary collections, covering subjects and themes such ritual kinesics, subcultural histories and groups, poetics and folklore. Sophie Blackburn has completed writing and research for artworks and essays exploring areas of history, culture and literature from extra-parlimentary groups in sixties Germany, Absurdist theatre in Europe, European and American convents, the history and medieval folklore of pigs and agriculture, to producing extended revisited publications that recollect dispersed archives.

Previous Experience

2023 I Still Hear the Sea, “Open Studio”, The Reid Building Studios, Glasgow School of Art, Glasgow, United Kingdom (catalogue). 2024 I Still Hear the Sea, “Because We Want To”, The Pipe Factory, Glasgow, United Kingdom (catalogue). 2024 Six Liturgies (An Instruction Card Set), “Fluxus” – The Glasgow Gallery Society, New Glasgow Society, Glasgow, United Kingdom (catalogue). 2024 Don’t Flip If You Can’t Fly (A Telephone Event), Garage Space Gallery/The State, Glasgow, United Kingdom.2025 Don’t Flip If You Can’t Fly (A Telephone Event), LAB Gallery, Glasgow, United Kingdom (catalogue). 2025 Beginning: Amoris Laus, “Open Studio”, Stow Building, Glasgow School of Art, Glasgow, United Kingdom. (catalogue). 2026 ‘A Sickle for a Bike’ Glasgow School of Art Degree Show 2026, Glasgow School of Art, Glasgow, United Kingdom (catalogue). Panel Member, The Friday Event, Danny Hayward on “Infrastructural Critique” and Marina Vishmidt | October 2025, Glasgow School of Art | Glasgow

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