AUTOMATED LUXURY
- Work
- Biography
I identify keenly with interdisciplinary practice and immersive media, I find form through site specific installation, sound, narrative and large scale moving image works. At times the work is necessarily self asserting, loud or colourful and at others, utterly elusive. I explore the self, identity and emotion through an ongoing distrust of society and neoliberalism. The work is an urgent inquiry into the paradigms of language, communication and speculation, underpinned by the artificial reality in which we live. As I grapple with the current socio political environment and my own overwhelm, the work offers space for contemplation, escapism and critique. Theoretical research, personal experience and narrative are key — without such narratives, we fall, we are falling, into mental illness, the critical condition of our time as neoliberalism prescribes a failing set of guidelines to live by. I am not a digital native: “Capitalist realism, is there no alternative?” (Mark Fisher)
I cite Lindsay Seers, Melanie Gilligan, Susan Philipsz, Rachel Maclean, Bob and Roberta Smith, Arlie Russell Hochschild, Donna Haraway, Kris Kraus, Mark Fisher as key influences.
I cite Lindsay Seers, Melanie Gilligan, Susan Philipsz, Rachel Maclean, Bob and Roberta Smith, Arlie Russell Hochschild, Donna Haraway, Kris Kraus, Mark Fisher as key influences.
CLARE ROBERTSON MOORE
2018 Reversal Rituals, Talbot Rice Gallery, Edinburgh
Commissioned piece, curated by Stuart Fallon & Claire Hills - an evening of experimental live performance, sound and moving-image
2017 The Venice Biennale Project, Italy
A large scale digital presentation showing experimental video work on the opening night of the Venice Biennale
2017 Hospitalfields Interdisciplinary Residency, Arbroath
2017 Art + Text Exhibition, 44AD Gallery, Bath
2017 Genius Loci Exhibition, The City Art Centre
2017 Projected Histories, Bath Arts Festival
2017 What Is Home? 44AD Gallery, Bath
2016 Don Salon, Embassy Gallery, Edinburgh
2016 Bonkers Contemporary, Whitespace, Edinburgh
2016 Degree Show Exhibition, Edinburgh College of Art
2016 Interim, Talbot Rice Gallery, Edinburgh
2016 Water On Mars, The Number Shop, Edinburgh
Awards
2017 Shortlisted for the Jerwood Artist Bursary Award
Education
2014 - 2016 - MA in Contemporary Art Practice, Edinburgh Art College, Distinction, Tutor
2018 Reversal Rituals, Talbot Rice Gallery, Edinburgh
Commissioned piece, curated by Stuart Fallon & Claire Hills - an evening of experimental live performance, sound and moving-image
2017 The Venice Biennale Project, Italy
A large scale digital presentation showing experimental video work on the opening night of the Venice Biennale
2017 Hospitalfields Interdisciplinary Residency, Arbroath
2017 Art + Text Exhibition, 44AD Gallery, Bath
2017 Genius Loci Exhibition, The City Art Centre
2017 Projected Histories, Bath Arts Festival
2017 What Is Home? 44AD Gallery, Bath
2016 Don Salon, Embassy Gallery, Edinburgh
2016 Bonkers Contemporary, Whitespace, Edinburgh
2016 Degree Show Exhibition, Edinburgh College of Art
2016 Interim, Talbot Rice Gallery, Edinburgh
2016 Water On Mars, The Number Shop, Edinburgh
Awards
2017 Shortlisted for the Jerwood Artist Bursary Award
Education
2014 - 2016 - MA in Contemporary Art Practice, Edinburgh Art College, Distinction, Tutor
- AUTOMATED LUXURY
- Reversal Rituals - Automated Luxury Series
- Installation
- AUTOMATED LUXURY
- Reversal Rituals - Automated Luxury Series
- Installation
- AUTOMATED LUXURY
- Uterus - Automated Luxury Series
- Digital print
- AUTOMATED LUXURY
- Art & Text Installation @ 44AD Gallery - - Automated Luxury Series
- Installation
- AUTOMATED LUXURY
- Automated Luxury Series
- Installation
- AUTOMATED LUXURY
- Automated Luxury Series
- Installation
- AUTOMATED LUXURY
- Automated Luxury Series
- Installation
- AUTOMATED LUXURY
- Automated Luxury Series
- Installation
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