My work focuses on gesture and shifts in energetic intensity, attuning attention to conscious and unconscious sensation. I seek to render subtle phenomena—temperature changes, chest flutter, saliva, micro-affects—more perceptible through sculpture, sound, text, and performance. I am interested in the gaps between language and gesture, and between the performative and the social, considering how minor embodied events shape psychological and physiological experience. My process is driven by interaction with materials as agents of transformation. Working experimentally with wax, paper pulp, and metal casting, I observe how matter responds, shifts, and becomes expressive. These processes form a studio ecology in which material behaviour becomes a way to think about perception, structure, and bodily response in relation to architecture and social systems.