Woolston is an interdisciplinary visual artist whose research-led practice engages with critical ecologies, material culture and the emotive impacts of climate change. Operating at the intersection of installation, moving image and socially-situated practice, her work explores human and non-human entanglements and the affective geographies of ecological degradation. She frequently combines field-based inquiry, archival research and embodied interactions so as to examine how systems of extraction, extinction and displacement are inscribed within the soil and soul of collective consciousness. In 2024 Woolston represented Scotland as part of the ‘Turning the Tide’ programme in Gdańsk, Poland – an international cultural initiative focused on the role of art in responding to rising tides. Her work, exhibited at the Cultural Institute in Gdansk, further explored interspecies relationality, coastal ecologies, and the symbolic residues of post-industrial environments; embedding her practice within broader discourses of ecological aesthetics and more-than-human ethics. Woolston’s work contributes to contemporary debates in environmental humanities and expanded media art by challenging anthropocentric paradigms and proposing art as a site for sensory reorientation and ecological awareness. Her approach offers a critical model for immersive practice that is grounded in relational, affective and site-responsive modalities.